Archive for May 2010

So, I was just writing a fight scene in “Changeling,”* a real fists-flying-guns-drawn fight scene. It made me think of two things:

1. I don’t write fight scenes very often. In Freedomland, there are no actual FIGHT scenes. There are people dying gruesomely scenes and blowing stuff up scenes, but no hand-to-hand combat, period.

2. I was trying to think of fight scenes that I really like in books. It’s easier to think of fight scenes in movies that are really good, but harder in books. My taste in movie fight scenes runs to the hyperbolic Kill Bill style combat, but that’s not exactly what I’m going for in the scene I was writing. I wanted something more along the lines of Brad Pitt’s character in Snatch punching out some dudes way bigger than him. I’m decently pleased with my first go at it, but it leaves me wondering: what are all the good fight scenes in books? Why don’t I remember many of them?

Please, help me out! Post your favorite book fight scenes!

This past weekend I spent most of my time in Capitol Hill at the Richard Hugo House‘s writing conference, Finding Your Readers in the 21st Century.

Its focus wasn’t craft, but rather marketing, publishing, publication, and all those other things that writers do that aren’t writing. This is something I’d been hungering for, and I left with an overall sense of hope about my career and writing life.

Mainly, I got two things out of the conference. First, I got a lot of really important nuts and bolts for my own publishing plans. I learned about the Espresso Book Machine, which prints and binds (well!) single copies of books from PDF files. I learned how to approach bookstores with my book, and what a writer’s platform is and how to strengthen mine. I talked to knowledgeable people about how to market my work when it stretches between genre fiction and literary fiction. Et cetera.

Secondly, I got an overall picture of where publishing might be going in the future…and I like it. The traditional vision of publishing goes something like this: Author gets agent, who convinces publishing company to accept manuscript, manuscript is printed and distributed en masse, extra books come back to publishing company as returns. In this scenario, the books are products to be pushed, stuff to be sold just like any other gadget on the market. The new way *might* look something more like this: author makes manuscript, hires editor to edit, then feeds manuscript into Espresso Book Machine, making single copies available to eager readers worldwide who know said author from their online presence. No returns, no agents.

I see self-publishing like this as something that will become ever more popular, although I don’t think it will ever replace traditional publishing, nor should it. But I think that the traditional structure will change in response to a new wave of bad-ass self-publishing. I guess as a whole we’ll have to wait and see. In the meantime, I’m trying to have the best of both worlds; I plan to try to find an agent and traditionally publish “Changeling” when I’m done with it. In the meantime, with Freedomland I’m riding the wave of self-publishing (and hopefully self-printing once I talk to Vladamir at Third Place Books!) into the future.

If you’re in Seattle and itching to get your hands on some local writing, check out Pilot Books in Capitol Hill. It’s a tiny store with bas-ass flavor that’s all about local authors.

I know this is short notice, but I’m pleased to announce that I have a booksigning today at the Dragon’s Lair (a game/comic shop) in Bellevue at 3:30PM. Hopefully I’ll be able to do a bit of a reading, too. So, Seattle/Eastside peeps, come show your support! If you have my book and have just been waiting to track me down to sign it…now’s your chance. Otherwise you can come and buy my book and get it signed. Whee!
Map to Dragon’s Lair

Turns out after I spent far too much time and effort stressing out over how to get my book distributed through Ingram…that happens automatically with iUniverse. My book can be ordered by independent bookstores whenever. It’s listed as “nonreturnable” because it’s print-on-demand, but I can totally convince bookstores they should buy copies to sell. Holler. I’m back to a place where I’m no longer horribly sick of Freedomland and do want to actively promote it again. I feel a little silly, after all that stress.

This came out of a blind pass-the-paper exercise I did back in my class with David Wagoner. It’s an exercise a lot like exquisite corpse, except more aimed at prose than poetry.

The structure is to write a male character (pass), a female character (pass), a location (pass), an activity (pass), what he says (pass), what she says (pass), what society says (pass), and the moral of the story.

This was my favorite of the bunch:

Robert Pattinson and Sylvia Plath are at a beachfront resort in Hawaii, holding each other, weeping.
“You’re cheating,” he says.
“That’s right. I’m working on my standup routine.”
We all know this is a foolish idea.
Moral: It’s a huge world.

The Lady Gaga/Captain Hook one was pretty good, too, but instead of posting it I’ll leave it up to your imaginations what those two would do together. Post your ideas. I’m morbidly curious.

This past weekend I went with a buddy of mine, HJB, to Lopez Island in the San Juans. We hung out with a various farming friends who live on the island, ate delicious food, did very little activities in particular beyond helping to build a fence, and then came home. It was a very simple trip, but it felt incredibly rich.

On the way out, we saw Orca whales off the side of the ferry, spouting in a surprise late afternoon sun. When we got there we were greeted by all kinds of dogs and a windy afternoon of fence building and relaxed conversation. Nothing too deep, mostly laughing at the dogs and discussing the universal sign for shaving goats. The farm we were on has chickens, beautiful Nubian goats, and sheep. There were six little lambs bouncing around, and I could almost appreciate that sheep are cute before they get all grown-up and wall-eyed. The farmhouse is the better part of a century old, with no foundation and therefore a bit of an exciting tilt to everything. It’s cosy inside, though, with an absolutely delicious kitchen containing nice, well-made implements, a gas stove and a large island that serves as a cutting board and a table. “Food tastes better on Lopez,” HJB claims, and I’d believe her. From something as simple as a chips-and-salsa snack to the amazing dinner of Vietnamese spring rolls and rhubarb fool that we enjoyed that night, food is delicious on Lopez. Maybe it’s something about the timelessness of the island, or maybe it’s something about how close to the land all of the farmers are there, how they are tied in to their food, how they so clearly  love everything there. It’s the rhythm of farm chores. It’s the way Kim brought in the drying sheets from outside when it started to rain but kept them up on the clothesline in the living room so she could keep that nice outside smell. It’s the collection of beautiful sea-worn stones Ben keeps on the tank of his toilet in his tiny cottage. In the evening, after dinner, Kim and I were talking about being foodies. “I’m 11th generation Pennsylvania Dutch,” she told me. “I come with a lot of inherited food traditions, but at the same time I make up my own. This island is a food tradition!” I know she was talking about the island in her kitchen, but she may as well have been talking about Lopez Island as a whole. I felt so rich and privileged to be in her kitchen, wearing a thick hat and sweater and eating rhubarb fool.

Richness, we know, has little to do with money. My basic needs are met, so to me richness comes from little sensory details–the curve of a tree trunk or the scent of lilac on my walk, watching things grow in my garden, the experience that is drinking hot tea. It’s good to make money, too, but certainly not all-consuming. Money is good. Money is just not necesarily where the richness is.

For posterity, here’s my from-memory account of spring rolls and fool, in case you want to make something delicious.

Vietnamese Salad Rolls

Outside:

Rice paper wraps, the kind that have the pattern that’s like a manhole cover.

Fillings:

  • noodles, rice or bean threads work well
  • tofu (or protein source of choice). She had marinated black beans and tofu. I used fried tofu at home and it was tasty.
  • shredded carrots + shredded radish + sauce
  • some form of greens (mustard greens, spinach, pak choi, whatevs)
  • thinly slivered green onions
  • I used sprouts at home. They added a nice texture.

Sauces:

1. Sweet Chili Sauce, which I secretly worship in my heart.

2. Vietnamese Magical Sauce, viz: about half a cup of rice wine vinegar, about two or three tablespoons of Fish Sauce, a teaspoon or less of salt, a tablespoon or more of sugar, and anything else wacky you want to put in (mirin? sesame oil? cock sauce?), plus a bunch of wee green onion rounds.

Rhubarb Fool

Combine in a pot and cook until gloopy and jamlike:

  • one bunch of rhubarb cut up into small pieces
  • sugar, maybe 1/2 cup
  • orange zest
  • orange juice from the orange what you just zested
  • ground spices, e.g. cloves and/or nutmeg

Let this goodness cool, and in the meantime whip some cream. Combine the two to form a funky pink pudding. Cools all the spiciness from certain Vietnamese chili sauces. Deeply satisfying.

Let me give my obligatory apology for the radio silence. My excuse is as follows:

1. A week of reading deprivation. I did this much for the same reasons you’d undertake a fast. In this case, I was insane and frustrated for about three days, then calmed down enough to remember that there are many important things I can do in my life, for example tending to my garden, connecting with friends, and making stuff. This could also be termed Operation Save My Weeknights From Oblivion. I tend to come home tired, get glued to a screen or a book and then actually stay up much later than I meant to because of the mesmerizing powers of said book or screen. It’s a damaging cycle, and the week of reading deprivation helped break it.

2. A week of technology fasting a.k.a. “turn off the TV week”. Similar results but less psychosis.

3. Laziness and generalized fear of the universe.

So. Cycle busted. Normal blogging service resuming.

Look, something shiny: