Last week I was very excited because at long last, the video game I backed on Kickstarter in 2013 was finally coming out. The game in question? Armikrog, the “spiritual successor to The Neverhood.”
The Neverhood is a point-and-click adventure game that came out in the mid-90s, and is possibly still my favorite video game of all time (or at least my favorite puzzle adventure game). What made it delightful included not just clever puzzles, but a gorgeous, well-conceived world built entirely out of clay, with Doug TenNapel’s weirdo visual design. Also, Terry S. Taylor’s brilliant soundtrack to the game was the first (!) thing that I ever bought off the internet back in middle school. So. Needless to say, Armikrog had some emotional capital tied to it for me.
Like The Neverhood, Armikrog is a point-and-click claymation adventure game. The old creative team came together to make it; however, unlike before when they were backed by Dreamworks Interactive and had a big ol’ budget, this time they used Kickstarter for their funding. And they had a great Kickstarter, raising the better part of a million dollars. They got some A++ voice acting talent in addition to the old crew. Tragically, though, they neglected a vital part of the team, it would seem: QA. QA, or Quality Assurance, are the fine folks who do their very best to break your game so that you can uncover any bugs the developers missed. The released version of the game didn’t run on some systems (fixed pretty quickly with a patch, but still) and was generally riddled with bugs. A disappointment, to say the least. I’ll try playing it again after another patch or two come out.
You might be saying at this point, hey, what does all of this have to do with book design?
Let’s talk about a pair of related design concepts, User Experience (UX) and User Interface (UI). These are basically a way of talking about how your user interacts with your game, book, or website (UI), and how they feel doing it (UX). In the case of Armikrog, I felt frustrated, and not in the good “this puzzle is hard” way, but the bad “I am not sure if this is a bug or a puzzle” way. For example, one of the UI problems in Armikrog was a cursor that never changes to indicate if you can interact with an object or not. This contributed to me not being able to tell when I couldn’t do something (e.g. push a button) because it wasn’t connected or powered or whatnot, and when I couldn’t do something because it just wasn’t something I could interact with. There are multiple UI ways that my user experience of “not sure if puzzle or bug” could have been improved. But rather than dwelling too much on that, I’d like to look at how UI and UX apply to books.
Examples of bad experiences readers (users) could have when reading a book:
- Hard to read the words
- Annoying to physically interact with the book
- Feeling of irritation for no easily discernible reason
- “Not sure if typo or intentional choice”
Let’s break those down a tad and connect them to some “UI” reasoning.
- If it’s hard to read the words, there could be a variety of reasons. A poor font choice can make reading painful. Words on top of an image that do not contrast well enough will be hard to read. Words in a color/background that “resonates” wrong, i.e. makes you feel like your eyeballs are buzzing, will surely be painful to read.
- Another way that reading might become difficult is if the margins are too small.
A small outer margin will mean your thumbs get in the way of the words when you hold the book. If the gutter margins are too small, then you’d have to open the book to the point of cracking the spine just to read the words. If the trim size of the book is awkward, making it hard to hold, your readers will want to quickly put the book down.
- If you are reading a book and feeling annoyed, but aren’t sure why, it may be a visual design problem. Particularly in books with pictures, if the designer’s done a bad job, you may see margins that are different on the recto and verso pages, pictures that are poorly aligned, imbalanced, or a number of other visual design sins.
- If the book you’re trying to read is riddled with typos (especially ones that are the correctly spelled wrong word), then you’ll feel like I did trying to play Armikrog: annoyed, and occasionally unsure if you’re looking at a typo or an intentional choice on the part of the author.